I believe that all of my work grows from a deep-seated love of the natural world. I was born among the mountains of Northern Vermont and New Hampshire, a small corner of the United States often overlooked by the fast pace of modern life. Growing up, I spent much of my time walking, unknowingly developing my ability to observe the seasons and the natural cycles of the earth. I see my creative practice as a direct extension of those early moments on the trail. As my travels have expanded over the years, intentional stillness and contemplation has become central to my work. 

I view all my actions as purposefully creative and strive to apply these core principles of attentiveness to my everyday experience. What’s more, I am deeply grateful for what the natural world has given me, and strive to give back. In the past, I have spent several summers running an off-grid homestead, farming the land, engaging in environmental conservation, and using mapping software to study the world from above in order to help protect it. These vocations, working directly with the soil, studying climate data, and translating those discoveries into photographic work, continue to shape the stories I seek to tell. 

As my creative explorations have evolved I find myself moving between media with greater fluency. I believe that in shifting between photography, filmmaking, musical composition, painting, and poetry I can express the truest form of the work, however limitless it may seem. This approach has led me to focus on the relationship between sound and landscape. Drawing on my background in cartography and environmental studies, I am particularly interested in the way patterns found in nature often echo internal forms within the human body. My practice is also shaped by the work of artists who came before me—including Ruth Asawa, John Cage, and Georgia O’Keeffe—whose philosophies emphasize attention to what is unseen through deep listening and sustained engagement with the globe's underlying rhythms. 

I currently work with field recordings, musical arrangements, and geographic information, paying close attention to how different environments affect the body. Moreover, I examine the ways in which certain sounds can calm the nervous system while others disrupt it. I ask how we might learn to listen differently and reconnect with the healing power of the countryside. Ultimately, I hope to help others reconnect with the poetics of our planet, to slow down, and move through the world with greater wonder and curiosity. I believe that through engaged questioning and shared creation, we can form practices that work in tandem with our surroundings.